Kazumi Chin, Discover and Read the Best of Twitter Threads by @kazumiochin

Kazumi Chin

kazumiochin

Of course they only reward us with awards when we perpetuate their settler colonial ideologies for them. This movie is so close to being good, so close to rearticulating the

Another important point is that you don’t even need to have played D&D for D&D to be a discursive force in your life. It is beyond the relationship that an

For each like I get I will answer a question from Bhanu Kapil’s list in Vertical Interrogation of Strangers 1. I often find I have stepped into streams of histories

Again, problems in representation are often less important than the way in which folks handle talking about the representation. Growth is possible. And I’ve laid out the way that such

Okay I just really am so proud of this house!!! I really am learning how to build them now and all the little details just make me so happy i

It’s not that people don’t know how to critique or engage critically or thoughtfully on here. It’s that Twitter only promotes the hot takes that you see, without promoting anything

Another important lesson here is that Asian American women inhabit both the robot trope within the white imagination, and also, of course, the geisha trope. This is why robot geishas

When I was in high school, I got in a fight with someone who claimed that people who were conservative were uneducated. I told her “you don’t even have a

One point I am trying to understand better in all of this discourse is that D&D, it turns out, for many people, is a “system,” not a “game.”There is not

It's not that if you disagree with me, you're racist. It's that your entire narrative and life goal is built around reducing my narrative and my position and my existence

If your ttrpg story involves SYSTEMS OF POWER, it is a POLITICAL STORY.Any decision you make with regards to power both in character and out of character is a POLITICAL

There’s a bit of truth to this troll post. My relevant training here is in cultural studies, which is based in a Marxist understanding of cultural changes during the 1950s